This is a very evocative telling of life in 17th century Netherlands, for the female members of families in the Artists Guilds. Talent is not enough to merit training for Maria, though she shares a room with her father's female apprentice Judith Leyster. Both are already grown women in their twenties, but around them young painters have become masters at a younger age.
At last both of them take decisive steps into the world on their own, Judith taking illicit commissions to afford her master's fee, Maria traveling to Leiden is search of a missing Guild artifact. But the road forward is fraught with daily perils not encountered by the male artists. And despite managing to set up her own workshop and apprenticeships, Judith walks a fine line, one group demanding three times the talent, and the other chastising her for putting her art before ties of friends and family.
Even when she helps to save her dear friend Maria's life, Maria interprets it in a spirit of betrayal.
In the end, the first and only female master of the Haarlem School would give up painting for marriage to a fellow painter, using her energies to keep his books and only seldom turn out a canvas. Yet this was the age of expansion and the marriage was a happy one. Making history demanded stepping away from invisibility in order to pursue her ideal.
It was a good idea to contrast her achievement with the life of her good friend, since talent does not happen only to brothers and not to sisters. How a person handles being gifted when society is not encouraging is interesting too.
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At last both of them take decisive steps into the world on their own, Judith taking illicit commissions to afford her master's fee, Maria traveling to Leiden is search of a missing Guild artifact. But the road forward is fraught with daily perils not encountered by the male artists. And despite managing to set up her own workshop and apprenticeships, Judith walks a fine line, one group demanding three times the talent, and the other chastising her for putting her art before ties of friends and family.
Even when she helps to save her dear friend Maria's life, Maria interprets it in a spirit of betrayal.
In the end, the first and only female master of the Haarlem School would give up painting for marriage to a fellow painter, using her energies to keep his books and only seldom turn out a canvas. Yet this was the age of expansion and the marriage was a happy one. Making history demanded stepping away from invisibility in order to pursue her ideal.
It was a good idea to contrast her achievement with the life of her good friend, since talent does not happen only to brothers and not to sisters. How a person handles being gifted when society is not encouraging is interesting too.
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